Tag Archives: plot

3 Changes that Made my 2015 Nano more Successful than Ever!!

Nanowrimo 2015 has officially come to a close!!! Well I didn’t quite hit the mark. I got to 30,000 words, which isn’t quite as much as I wanted to write, but it’s way better than I have ever done before.

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Reading = Worth the stuggle

Change #1– Stop Editing! All I did differently was to write without a censor. In previous years I would write a bit then go back over what I had done to make sure it made sense. This year I looked at Nanowrimo in a new way. I viewed it like a very long rough draft. When I was writing research papers in college I would just use the rough draft I wouldn’t spend much time editing, I’d just try to throw some ideas into pile to try and see what my thesis could be.  So this time I tried shut the editing section of my mind off while I was writing. Now that I really feel like I have a grip on the form and shape of my story I am going to put the editorial phase of my story on hold until the new year. I’m using the next few weeks to rest my brain, get some reading done, and also get ready for Christmas.

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Sure it's good to clean up your writing, but hold off on it until you've actually written something. Write first, edit last.

Change #2– Sleep More- I know that I’ve mentioned this before, but sleep is one of a writer’s best friends. Well it would seem I needed a dose of my own medicine. In recent months with working two jobs I had let my sleep schedule get really messed up and I was trying to juggle everything on just a few hours of sleep. During that time I was also trying to work on my writing, but for some reason I wasn’t having any luck at developing ideas. Then one day I was going back over something I had written in a notebook a few years before. There in big red letters were the words “If you don’t sleep your brain does not work properly”. There it was!!! I wasn’t sleeping so of course I couldn’t think straight!!! I’ve told so many people that in the past, but I never thought I’d be the one who needed to be told that!! So now I make sure that I am in bed by 11PM at the very latest and I try to get a solid and consistent 8 hours a night.

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I felt such a dope!!! I've been telling people for year's how important sleep is to the writing process!!! A more consistent sleep schedule made all the difference!!

Change #3– Diary Entries- Before I had ahh thought of what my story was I started out with a list of my characters with some of their personality quirks. With that list as my starting point I wrote a short diary entry from each of the characters’ perspectives. It really gave me a fun way to envision who the characters are, how they think, and what they sound like.

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Imagining what my character might write in their private dairies really gave me the chance to see from their perspectives

Just a few little changes to my thought process and writing techniques led me to greater success than I have ever achieved before. How did you all do? What did you do to relieve stress?

Exercise of the Day

Exercise of the Day: The Pet
For this exercise you are going to think of one of your favorite characters and imagine their pet. What type of pet do they keep? What do they name it? Does the pet’s personality reflect their owner?

I’ll see you around!!!

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Writing Update and Plot Issues: My Problems Wordiness and Vocabulary

AT LAST I HAVE RETURNED TO THE LAND OF THE LIVING!!!!!!!!!!!!!! Forgive me if I seem a bit overdramatic, but I feel like I have just come out of a three month long hibernation. After endless bouts of power outages, snow shovels and sub-zero temperatures I am ecstatic to say that SPRING IS HERE!!!!!!! *applause and fireworks*

WINTER IS OVER!!!!!!!!!! YAAAAAAAAAAAAAAAY!!!!

WINTER IS OVER!!!!!!!!!! YAAAAAAAAAAAAAAAY!!!!

When I was at college during my freshman year I got stuck for ideas when I was working on an essay and I gave myself five or ten minutes to work on a freewriting prompt which was completely unrelated to my essay. When my time was up after the first time I had about three pages of a story started, Through all of my years at college and the time after whenever I would find myself mentally stuck I go back to my old standby and add to it. This one writing prompt, which by this point feels like an old friend, has been slowly growing on my computer for 8 years. A few months ago I realized that my prompt was so long that it could be the starting block for a novel. So I’ve spent the past few months in editing, reworking, and tinkering around with it. It’s not finished yet, but the editing process gave me ample opportunity to exercise my brain during the winter freeze.

The writing prompt 8 years in the making!!! :)

The writing prompt 8 years in the making!!! 🙂

One of the problems I have found in my own writing is that I tend to use more, or in some instances more complicated, words than I need. For me half of my editing time consists either of cutting down words or going to my trusty thesaurus and trying to find simpler versions of certain words. As I mentioned in a previous post in the past reading was something I never wanted to do because it made me feel stupid. Jane Eyre by Charlotte Bronte and Pride and Prejudice by Jane Austen were really the first books I read that got me excited about reading. Because the beginning of my life as a bookworm started with those books I have always been drawn to books of that nature and I think that might have had an influence on my writing style. When I first starting writing some of my friends thought my style was overly wordy, pretentious and over the top and they were right.

The man in this picture= The sound of my writing style when I first started.

The man in this picture= The sound of my writing style when I first started.

The simple truth is that if you use too many words your reader may have the urge to yell ‘just get to the point already!!!’. On the other hand if you use words which are too flowery your readers will think that you are a conceited snob. The rules that I have made for myself are to make sure that I never use more words than I need to get my point across, and also to keep my vocabulary restricted that that it’s appropriate to the story and my characters.

Well I hope this will be the first of many more posts to come for this year!!! So long Winter!!!!!!!!

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Sinking Ship

Create a story that begins on a sinking ship. Each of your characters is allowed to save only one of their possessions. Write about the item they choose to save and also what they are willing to do to protect their treasured item. Is it something sentimental like a photo album or something like an iPod? What goes through their head when they are trying to select which item to take with them?

Have fun and I will see you soon!!!!!

 

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Movie Adaptations of Books: The Good, the Bad, and the Ugly

I posted this last year but I thought of some new additions to my list!! Feel free to comment!! 🙂

thewriterscafe247

Through Hollywood’s history there’ve been a great many movie versions of books which have seemed like perfect companions to their literary counterparts. However, for every good movie there have been at least three movies that make the fans of the novel want to hurt someone. We’ve all had that moment when we remember how good the book was and then we get all excited (and in some cases horrified) when we hear there’s going to be a movie. We buy our tickets and watch the movie hoping for something fantastic and in the end when the credits roll all we want to do is scream and throw popcorn. Well fasten your seatbelts movie fans, here’s my least favorite versions. (I know I posted this a while ago but I just re-read/re-watched a few movies and thought of some new additions to my list)

Romeo + JulietRomeo + Juliette (1996 adapted from the William Shakespeare play)

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Writing Update and a Bit of Character Work

AKA - Me whenever I try to do a nanowrimo

AKA – Me whenever I try to do a nanowrimo

 

 

Well another November has rolled around and again writers all around the country are getting their plots lined up and trying to reach that seemingly astronomical word count of 50,000!! For my own part I don’t really get too invested in this yearly event. I like the concept of having a measurable goal to hold myself to, but in practice it’s just never worked for me. I’ve spoken about this before but for me whenever I have tried to do a nanowrimo I go a bit daft and start putting too much thought into the number of words and less into whether or not they’re the right words. If writing this way works for you then HAVE AT IT!!!! All writers have their own systems and things that work for them, if nanowrimo leads you to productive writing and good stories well then I wish you good luck!!!

Slow-Progress-Is-Better-Than-No-Progress

I am still working on my Gothic mystery story, but the progress has been slow. That doesn’t really bother me because even slow progress is progress. Last month I really started getting stuck on who Liz, my protagonist, is and how her mind works. If I as the writer can’t get a clear picture of who my characters are then my readers aren’t going to be able to either! That was a major problem and to fix it the only thing I could think of to do was to rewrite my entire story from Liz’s perspective as if the whole story was her diary. Because I wanted my story to have a Gothic vibe, it made sense for mw to imagine what the plot would look like if I wrote it out in epistolary format, where the story is told via letters and journal entries, because that was really popular in Gothic lit. Dracula, one of if not the most famous Gothic novel of all time, was written like that so I figured it couldn’t hurt to give it a go.

Imagining what my character might write in their private dairies really gave me the chance to see from their perspectives

Imagining what my character might write in their private dairies really gave me the chance to see from their perspectives

To be truthful it was grueling and slow work to change the format of my entire story, but in the end I had a very distinct picture of who Liz was and how her mind worked. Using that knowledge I went back to my original manuscript and added bits of narrative from Liz’s diary into it so that I could flesh out her character. I think that the next time I write I will try to keep a running diary for all of my main characters so that I can keep better track of their character and psychological development. I know this post is a bit short, but  I have to dash to my day job now. So long!!!

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Aversion Exercise

For this exercise I want you to think of a character who in absolutely repulsed by something which is considered to be harmless or innocent i.e. handholding, puppies, a child skipping, toy sailboats. Why does your character have such a negative view of something so innocuous? How would their aversion show itself? Would your character become agitated or violent?

Think about that and I will see you later!! If you have any comments, questions, concerns, or just want to vent have a go!! I’d love to hear from you!

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Deciphering the Masks: Another Step Towards Character Development

Well dearie me!!! It’s been HOW long since I posted?! Dang. LOL!!!! Well unfortunately, for my writing that is, for the past month I’ve been trying to settle into a new job. I’ve had to brush up on my people skills because I’m in a retail sales position at an athletic store so nearly 100% of my day is spent talking to other people. I’ve worked in positions like this before but it’s still hard to switch my mind over to the sales side. In order to make customers believe that I’m not just some commission hungry maniac I have to alter my personality so that I seem like someone they can trust. That’s one of the hardest things about sales. Every customer is different. They each have a particular set of desires and expectation and so I have to, in a shirt time, assess them and figure out how I can present myself so that they will believe that I am the person best qualified to help them. It’s sort of like I have to wear a different mask for each customer so that they’ll trust me to help them. That got me thinking about my characters.

In order for customers to trust me I have to change my personality so that I present myself as a person they can trust to help them.

In order for customers to trust me I have to change my personality so that I present myself as a person they can trust to help them.

All characters have their own distinct personalities and it got me thinking of how they might change their personalities, or what masks they might wear. The first thing I had to do was to understand who the character’s ruse was intended to fool? The next question I had to answer was what my character would do to create this illusion? Finally I had to know the main purpose or why they had gone about the whole process. For example I had a character once who didn’t want her father to know that she had crashed his car. In that case the character put on the mask of the adoring daughter. She changed her voice so that it sounded infantile and called her father “daddy”. So with that all of the questions were satisfied:

  1. Who was the mask intended to work upon? The character used this particular mask to fool her father.
  2. What personality changed occurred? The character attempted to transform herself into a vision of how she had been in her youth. She speaks in a high pitched infantile voice and uses the name “daddy”.
  3. Why did the character do this? The character created this personality change so that she could emotionally manipulate her father. She is hoping that by toying with his heart he will not find out that she had wrecked his car.

 

What parts of your characters' personalities would they be willing to hide? Why would they go through the effort to create their mask or illusion?

What parts of your characters’ personalities would they be willing to hide? Why would they go through the effort to create their mask or illusion?

In my post “3 Methods to Add Emotional Tension to your Plot” I talked about how every character needs a goal or a desire and that you as the writer need to figure out what they’d be willing to risk in order to get it, but you also need to figure out how they might need to change their personalities in order to obtain their goals. For example if you have a character named Bobby who wants to get married to a lady named June and is willing to die for this goal you also must decide what version of themselves they are going to use in order to make June fall in love with him. Everyone likes to present the best versions of themselves that they can to win people over, whether you’re like me who does it for a sales job, or like Bobby who does it for love. You need to decide what parts of your characters’ personalities they’d be likely to suppress and what mask they’re going to put on instead. Maybe at a particular part of your story you character’s mask will fail letting the world know their true selves. What could be the emotional impact from that? Did someone say PLOT TWIST?!

 

 

 

Exercise of the Day

Exercise of the Day

Exercise of the day: Character Assessment

I used to have to do this exercise all of the time for my theatre class in high school. There would be a pair of us performing a particular scene and we each had to write a journal entry as our character which detailed our characters’ goals and also their mental status. That is what you need to do for this exercise. I want you to take your protagonist and antagonist and to write journal entries for both of them in which they detail their problems, psychological situation, and goals. Are you pro and antagonist fight? Why? What is one’s problem with the other? Do they believe their actions are justified? One of the hardest things writers face is that they don’t just have to figure out what their characters do or say but why they do or say them. This exercise can really help you to come to a better understanding of who your characters are and why they’re acting the way they are.

 

So long folks! Feel free to comment with any question, complaints, or even suggestions for writing prompts! It’s always nice when writers can have a place to go and pick up a few extra prompts to get the creativity flowing!

 

 

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Discussion: Do you listen to music as you write? Why or why not?

Just as I do not recommend writing with a fever, reading through jetlag and turbulence = NO!!! LOL

Just as I do not recommend writing with a fever, reading through jetlag and turbulence = NO!!! LOL

So happy to be posting again!!!!!! I know my posts have been a bit sporadic lately and I apologize for that. I’ve just spent the past few weeks job searching and also working in some time to travel cross country. I spent 12 hrs yesterday in airports, on planes, and in turbulence…yeah my stomach did not like that. I tried to get some reading done but it’s a bit nauseating when the book you’re reading is bouncing in your hands every second. Since I finally got to my destination I’ve gotten some writing done, but didn’t get the chance to post. Now I have returned!!!!!!!!! YAY!!!

For this post I’d like to open a discussion. Do you like to listen to music as you write? Why or why not? If you do like to listen to music as you’re writing, what kind of music do you listen to?

Music as you write? Yea? Nay?

Music as you write? Yea? Nay?

For my part I usually listen to music as I write but I have a very specific playlist that depends on my mood and what I need. For example I am an easily distracted person so I only listen to low key things when I write, otherwise I’ll get so wrapped up in the music it will pull my attention away from what I’m writing. It also helps if what I’m listening to is tied to what I’m writing in some way. For example last year I wrote a ten-minute play that was centered in West Virginia, and so to get into that mindset I created a Pandora station that played a mixture of old southern gospel songs and bluegrass. The music was reminiscent of what I was writing so it helped me to envision the world of the story, and the songs themselves were slow paced ballads so they didn’t pull my distraction away.

Listening to some old Bluegrass and gospel on Pandora got me into the right mindset for my play, oh and it's also really good music!!! :)

Listening to some old Bluegrass and gospel on Pandora got me into the right mindset for my play, oh and it’s also really good music!!! 🙂

As I mention a few posts ago I was working on turning an old freewriting exercise of mine into a novel. Well the novel itself is set some time in the 1800’s in England so it really helped me to picture how that world looked by listening to classical music from that time. By listening to the same types of music that would have been popular during the time period in which I set my story it gives me a way to envision how that world might sound. I already had an idea of how the world looked, but the music gave me a way to picture how the world would sound, offering me a tool to engage the readers’ senses.

For me figuring out the types of songs my character might hear on a daily basis gives me another way to understand their worlds.

For me figuring out the types of songs my character might hear on a daily basis gives me another way to understand their worlds.

So that’ my rigmarole! Do you have specific music that you like to listen to when you write? Or do you like to write it total silence? Why? Post in the comment section below the writing exercise!!! If you have any questions or concerns feel free to let me know.

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Moving Box Exercise

Imagine that you’ve moved into a new home. You know nothing about the previous owners. When you enter the house you see a box on the floor that belonged to the previous owners. Open it and describe what you find. From the items you find inside the box create a story for who the previous owners might have been.

 

Have fun with this exercise and I will talk to you again soon!!! Bye!

 

 

 

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3 Methods to Add Emotional Tension to your Plot

Know what really puts a damper on writing? FEVERS!!!!! GAHHHHHH!!!!! You might have noticed I’ve been a bit radio silent for the past few weeks and you can blame it all on a fever. For nearly a week I was trapped in my bedroom, waylaid by a 103 degree fever. When I first started feeling sick I thought to myself  ‘ah well, a few days in bed will give me extra time to write’ but after the first few days had gone by and I wasn’t getting any better all writing plans went out the window. I tried to write through it, but honestly my head was such a muddled ocean of heat, medications and sweat that most of what I wrote made no sense whatsoever. I started out writing a nice little short story about a little girl but by the time the fever kicked into overdrive the little girl had become our first ninja president…not sure why but she did. So after that debacle I figured it was a better idea to give my brain a chance to get stronger before I tried to write anything. Well now that my brain has had ample chance to cool off I am back!

Trying to write with a fever? I don't recommend it

Trying to write with a fever? I don’t recommend it

While I was sick, as I mentioned before, I didn’t get much writing done but I did do a good deal of reading. I re-read one of my favorite book series, The Millennium Series by Steig Larsson. Though I’d read the books before a part of me wondered ‘why do I enjoy this series so much’? My taste in books is usually eclectic but I don’t usually read books that are quite as gritty and dark as this series was. After I thought about it I came to the conclusion that the thing that really drew me in was the level of tension. It was one of the first book series I had read where the plot tension actually got me breathing harder and made my heart feel like it was beating though my chest. Then I started wondering, ‘how does a writer go about creating emotional tension in their plots’?

NO NO NO NO NO!!!!!

NO NO NO NO NO!!!!!

Method #1- The Little Kid

Anyone who has spent any time around a small child knows that the moment they learn to say (or scream) the word “NO” it becomes one of their favorite words. If you’re babysitting a kid who’s going through the “no phase” it can make you want to pull out your own hair, but it can be an effective way to add emotional stress into your plot. The basic method is that whenever your character finds that they want something, in some way or other you tell them no. Say your character wants to go on a road trip, and then you as the writer tell them no by having that their car not start. Think about it, if your character always ends up getting their desires then it can get a bit dull. No real person ever gets what they want right when they need it so adding obstacles that stand between your character and their goals adds both to the tension and realism of your stories.

In Gothic novels the setting adds such a big level of the creep factor it becomes another character.

In Gothic novels the setting adds such a big level of the creep factor it becomes another character.

Method #2- Using Your Setting

Some writers remember to use their plot twists, dialogue, and characters to create emotional stress in their stories but they forget to give their settings that same consideration. If your setting is real enough it can act as another character. Think about it, the setting is the world in which your characters exist. If you want the characters’ lives to create a palpable level of tension then the setting is one of the greatest tools you can use. For example, in The Girl with the Dragon Tattoo most of the dramatic action is centered on a remote, rundown, and snowy island which feels detached from the rest of the real world. That sense of detachment, in combination with the danger the reader senses from the plot, makes the reader feel a sort of Gothic desolation. In traditionally Gothic novels such as Bram Stoker’s Dracula the dangerous, creepy, or otherworldly elements of the story almost always occur in a dilapidated, remote and, isolated environment. Your setting as the world of your story is one of the largest elements at your disposal and so it is one of your greatest tools for creating a sensation of emotional apprehension or tension in your story.

Figure out what each character wants and what they'd be willing to risk in order to get it.

Figure out what each character wants and what they’d be willing to risk in order to get it.

Method #3- The Poker Game

In order to keep an eye on how much tension is in your story you need to figure out what is at stake for each of the characters. In order to do this it’s a good idea to imagine that all of them are playing poker. Figure out the main goal for each of the characters and decide how much they are willing to risk in order to obtain it. This trick really helps to decide the possible consequences for every character. Have you ever read a book and it had a character that didn’t really seem to gain or lose anything by their actions or even presence in the novel? It almost feels like one of those situations where two friends are having an argument and then a stranger who is not connected their argument tries to get in on it. If your character doesn’t have anything to gain or to lose from the events of the novel then the reader can wind up thinking ‘why are they even in this story’. By imaging each of your important and central characters are in a poker game it can really aid you in figuring out what’s on the line for each of them.

Alrighty well I hope these few tips helped you out, if you have any additional pointers feel free to comment below and I will see you next time.

Exercise of the Day

Exercise of the Day

Writing Exercise of the Day: Physical Emotion

For this exercise I want you to imagine one of your characters is having emotional response, positive or negative, to some even but do not name the emotion. Instead I want you to describe the emotion by only using the physical impact that it has on the character. How does their breathing or pulse change? Do they start sweating? Write a bit and then re-read what you have. Is the emotion made clear?

Have fun with this and I will talk to you later!! Feel free to comment below with feedback, complaints, questions, or anything else that might pop into your head. Bye!!!

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The Art of Creating Villains

As we grow up we come to realize that life is not like an episode of Barney and that not everyone in the world is going to love us or want to be our friends. Some people are just plain mean, but how do we translate that into fiction and still make those characters seem real? If we just write someone who is mean and nasty 24/7 in the end they will seem boring. It would almost feel like every time your antagonist appears your reader will say “oh let me guess, (insert antagonist name here) is going to say something mean and stupid”.

Evil is as evil does

Evil is as evil does

Part of what makes villains seem so interesting is that their motives and goals are hidden in many cases and so they have the ability to keep the readers guessing. Also, as many antagonists are not lead by traditional moralities it gives you as the writer more options when it comes to character choices. However, like many things in writing it’s a balancing act. If you write an antagonist who constantly behaves in wildly amoral ways in every scene it defies the imagination of most readers. Most real people are made up of both good and bad parts and so if you try to make it seem as if your antagonist is 100% bad than it can make them seem unbelievable. You could really only make a character like that work if you found a way to make that type of behavior seem natural for the character.

 

Iago's nature is not hidden from the audience but is hidden from the protagonist.

Iago’s nature is not hidden from the audience but is hidden from the protagonist.

For me Iago from Othello is one of the greatest antagonists in history because he has the ability to hide his evil motives from the protagonist. He cannot hide his evil nature from the audience because, by the usage of asides and soliloquies, the majority of the action is told through his inner monologue. He could be described as being totally evil, but because his true nature and motives are hidden from all of the other characters it only serves to give him an added level of intrigue.

Nils Bjurman- the epitome of the malignant narcissist

Nils Bjurman- the epitome of the malignant narcissist

One of my favorite villains in modern literature is Nils Bjurman from Steig Larsson’s The Girl with the Dragon Tattoo. The character puts the protagonist through numerous scenes intense physical and mental abuse  which could make him seem unbelievable. Larsson combats this by hiding Bjurman’s motivations so his vile nature is connected to a mystery and by giving the character the hallmarks of at least two legitimate and recognizable psychological disorders. Nils Bjurman is one of those characters that the reader thinks could exist, but is really glad they don’t.

Who are some of your favorite antagonists? Do they attempt to hide their motives from the protagonists or are they more open about their dark side?

Exercise of the Day

Exercise of the Day

Exercise of the Day: A Lesson in Context Exercise

For this exercise you need to take the first line of dialogue from your favorite film and create a whole new story with that as the first line. Totally change the context of the line with new characters and a new plot.

Have fun with this one and I will see you next time!!!

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Filed under Books, Characters, Creative, Creative writing, Ideas, Imagination, Literature, Nanowrimo, Novel Writing, Novels, Playwriting, Plot, Reading, Screenwriting, Uncategorized, Writing

Is “meanwhile” the Magic Word of Writing?

Hey there!! It feels like forever since I’ve posted! Sorry about that but life…ugh…don’t you just hate it when life interrupts your blog time? LOL!!! Ah well. Luckily I have been working on my novel…well I call it a novel but actually it’s more like a massive writing exercise I’ve been doing for five years.

It started as a free writing exercise I did about five years ago and during times when I don’t have any projects going on I pull it out and add to it. It’s gotten so long now I’ve realized that it is practically a novel in and of itself so I’ve been going back through it to see if I can make it work as a novel. It’s actually a really interesting exercise but one of the hardest things for me to write are the transition pieces that connect scene to scene and chapter to chapter.

Sometimes I just say “forget the transitions” and start a new chapter, but you can’t do that too often or your book will end up being 100 pages filled with 300 chapters. I like for my transitional pieces to be smooth and for one scene to just sort of flow naturally into the other but in many cases it just feels wrong to me. I read an article somewhere that said that the best way to combat a difficult transition is the usage of the word “meanwhile”. The basic principal was to use the word “meanwhile” when you were undecided as to how to move from one scene to the next.

Making my scene shifts have a workable rhythm is one of the hardest parts of writing for me

Give your scene shifts a smooth rhythm

Example:
Chad didn’t know where to go from here. His father was dead, his home a pile of rubble. The only things he had left were an old scorched picture and a goldfish.
Meanwhile in a shopping center across town Kerri wondered if life could get any better. She had a sweet ride, a credit card, and a father who didn’t ask questions.

Without the word “meanwhile” in between those two bits of scenes, it would’ve felt a bit slap-dash and there wouldn’t have been much of a flow. However, that one word added in it allows for a fluid movement between the scenes and also adds an interesting thematic juxtaposition between the characters’ lives.

Meanwhile= The Writer’s HOCUS POCUS!!

Some might say that “meanwhile” is the magic word of writing and true, there is something a bit magical in the word’s ability to pack so much practical usefulness and potential thematic depth in one word but you can take it too far. When I started off using “meanwhile” to help with my scene shifts I felt great…but then I read back over what I had written and…oh dear. I realized that I had used the word so much that it was almost laughable. A small part of my mind half expected to turn the page and read MEANWHILE AT THE LEGION OF DOOM (I tried to just add a pic of the Legion of Doom headquarters but my computer wouldn’t let me, the video was all I could find)!!!

How do you like to transition? Do you use “meanwhile”? Do you like to add a chapter or page break? What are some techniques you’ve found?

Exercise of the Day

Exercise of the Day

Exercise of the day: Looking for a Haunt
For this exercise I want you to imagine that you or one of your characters has just died and has become a ghost and are now looking for a place to haunt. How would you decide which place to haunt and what would you do to haunt the house? Are you a poltergeist (a playful ghost? Are you a friendly ghost? Are you a vengeful ghost? Why?
See you around!

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Keeping your Plot Interesting

Sorry for the long absence but life’s been a bit hectic lately what with job searching and all that. Alrighty, time to get back into the swing of things. For today I want to talk about how to keep your plot from getting too flat and predictable.

dictionary1

In general I have found that predictable plots lend nothing to the story because they only serve to slow things down or put the readers to sleep. Have you ever read a book and you got maybe halfway through it and could already tell how all of the characters were going to end up? BORING!!!! If you can already see the end what’s the point of reading? You as a writer need to be wary of this because there is a fine line between foreshadowing something that will or might happen to the characters and putting up a huge road sign that says THE STORY WILL END THIS WAY. Have any of you read or heard of The Strain trilogy by Guillermo del Toro? The final book in this series is a prime example of how NOT to formulate your plot. When I was halfway through the book I could already tell how each of the characters was going to end up so it took all the mystery and enjoyment out of reading. I mean I didn’t know what plot twists would get the characters from point A to point B but that didn’t matter. I no longer cared about the characters’ journeys because I already knew how they’d end up.

There's a difference between foreshadowing and mapping out the entire plot for the reader!

There’s a difference between foreshadowing and mapping out the entire plot for the reader!

I’ve really had to think about how to keep my plot and characters captivating a lot because right now I’m working on a mystery. A mystery is all about intrigue and figuring out the answers to questions. While writing my mystery I’ve realized that the best crime/detective/mystery stories out there always leave at least a few questions unanswered. I think that’s a major key to keeping the readers interested even after they’ve finished reading. When confronted with unanswered questions the reader is compelled to let their imaginations go find possible answers. When you can get your readers’ imaginations involved in your story even after they’ve finished reading? HOT DANG!! You’ve got them in the palm of your hands! But as in all things in writing the unanswered questions must have balance. You cannot leave so many unanswered questions that your reader feels cheated, or feels that the resolution was nothing more than a huge anti-climax. Even if you’re not writing a mystery there are usually major plot questions which will pop up from time to time. My best idea for keeping track of the questions that might appear in your plot is to make a note whenever one shows up, and also whenever one is answered. That way you don’t lose track.

In life questions are a guarantee but answers are not.

In life questions are a guarantee but answers are not.

What are the best ways you’ve found to keep your plot interesting to your readers? Comment below! I’d love to hear from you.

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Way You Walk Exercise

For this exercise I want you to write a short piece where you describe the way you walk. Every person in the world has a different way of walking. Some people have flat feet, some are pigeon toed. Write about how you  move, but also think of why move the way you do. For example I tend to limp a bit because of a hip injury I had when I was a kid so I could write that  “my walk makes me look like a cowboy loping across a field, sore after a long day’s ride.” Just have fun with this and really get into how you can best describe your movements when you walk.

Bye for now!!

 

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Plot Outlining: Mapping the Journey

Writers have gotten a reputation of being a roguish band of disorganized dreamers who relish chaos, but that doesn’t really tell the whole story. The ability to organize your plot and sort through your ideas is an easy way to make the entire writing process develop better. Outlining is the best method I have found to make organizing my plot points a faster process. I am of the opinion that writing is difficult enough in itself so I will attempt anything that I can to make the creative process smoother.

Writing is chaotic enough!! Save you sanity and make it easier on yourself

Writing is chaotic enough!! Save you sanity and make it easier on yourself

The moment I get an idea for a story I take out a sheet of paper and plot out a potential plotline. The outline I use is fairly general. I use the headings from the plot triangle we all learned about in school (Exposition, Rising Action, Climax etc.) and then I fill in the events for every section.

Example:

This is an example of the type of outline I like to use (note: this is a vague outline I drew up a few years ago before I started a rough draft for a 10 minute play):

I. Exposition
1. Introduce Daughter (protagonist) and Mother (antagonist)
a. Introduce conflict between Daughter and Mother- Mother wants Daughter to get married to jerk.
b. Mother is tight lipped and rigid, Daughter is restless and wants to rebel.
2. Daughter plans to run away
a. Describe what problems she has with Mother/Fiancé.

II. Rising Action
1. Mother wants Daughter to stay and avoid scandal
a. Further development of conflict between Mother and Daughter.
2. Introduce Fiancé.
a. Fiancé is smug and entitled.
b. Daughter insults Fiancé.

III. Climax
1. Fiancé slaps Daughter
a. Daughter stands up to Fiancé.
b. Fiancé exits.

IV. Falling Action
1. Mother shifts from antagonist to protagonist
a. Helps Daughter leave.
b. Starts understanding.
2. Daughter Leaves.

V. Resolution
1. Re-enter Fiancé
a. Fiancé threatens Mother.
b. Mother stands up to Fiancé.

This outline wasn’t set in stone by any means. As I created the characters and came to a better understanding of their mental situations and goals the story shifted but this outline really helped me to organize my ideas and to envision how my story was going to play out. If when I was writing the rough draft I found out that something from my outline didn’t work I’d change it, but the outline gave me a simple and streamlined way to sort through my ideas.

Outlining for me is a simple way to navigate the chaotic world of writing

Outlining for me is a simple way to navigate the chaotic world of writing

It’s like mapping out your route for a road trip. You start out with what you think is the best road to reach your intended destination and you start down that way, but while you’re on the way you find out that a section of the highway is covered in potholes so you change your planned and take a smoother road. That’s the mindset I have when I write my pre-rough draft outline. There may be some bumps in the road as I make my way towards the end, but at least I have an idea of where I’m going.

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Lost Senses
Imagine that you woke up one morning and could not hear or speak. Describe the sensations you might feel as you try to figure out what happened to you, why it happened and how to deal with it. How would you learn to communicate with the world without using your ears or your voice? This exercise allows you to explore the world of body language. Imagine what types of facial and body movements you would use to communicate with the world.

Have fun with this one and I’ll see you next time!!!

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The Times and Trials of a Bookworm

I’ve said before that the vast majority of writers begin first as readers which I still think is true, but that doesn’t mean that it’s easy. One of my younger cousins was complaining about having to read a boring book for class and when I told them the list of books I had to read for my lit courses she said “well that’s different! You like reading!!” True, I do enjoy reading but that doesn’t make it any easier.

For me, my struggles with reading started in kindergarten. For some reason I just couldn’t get the hang of reading. I knew my letters because of the alphabet song and the like, but I couldn’t make sense of written words. They told me “This is an A, this is a B, and this is a C”, to which I would reply “No it isn’t!!! That one looks like a funny hat, that one’s a snowman, and that one is a squiggle!” After literally months of these little episodes my teacher was thinking I had something like dyslexia and I just thought I was stupid. I would sit for hours holding my books in my room and would try to piece together the mystery of what they meant. For almost an entire year I saw my classmates breezing through books while I was still stuck on page two. Finally someone had the thought “maybe there’s something wrong with her eyes”. EUREKA!!!!

As easy as ABC? I WISH!!! :)

As easy as ABC? I WISH!!! 🙂

I went to the eye doctor and after my exam I remember that he told my mother “I’m not surprised she’s having trouble reading!! She really needs glasses.” So finally after almost an entire school year the mystery of my “reading problems” were solved. For a long after kindergarten I absolutely hated reading. Whenever I picked up a book I remembered the struggles I had and how stupid they made me feel. For nearly 13 years I avoided reading whenever I could but slowly I learned to let go of those negative feelings and let myself fall into the wonderful world of books. Now that’s not to say reading isn’t still a struggle. Even with glasses every once in a while I get terrible migraines and more often than not my mind starts wandering and by the time it wanders back to the book I can’t even remember what page I was on. So for me reading is wonderful and I really enjoy it, but it’s a struggle. But when I finally reach the end of a book I feel like I’ve just won a massive battle. So yeah for me reading is a struggle, but that doesn’t mean it is not worth it!!!

Reading = Worth the stuggle

Reading = Worth the struggle

 

Exercise of the Day:  The Lesser of Two Evils Exercise

Exercise of the Day

Exercise of the Day

Imagine a situation where your character must choose between sacrificing two things, both of which are important to them. Describe the situation itself, the two things your character is deciding between and also the thought process they would use to come to a decision. How would the situation resolve itself? How would the character feel at the end?

Weighing the options

Weighing the options

 

Have fun with this exercise!! Feel free to comment! I love feedback!

🙂

 

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Writing Plans for Nov and Dec

Alrighty well I’m sorry to be saying this, but I’m afraid this will likely be my last post for the next few months. I’m heading away for the entire holiday season and where I’ll be going has limited internet access…BOOOOOOOOO!!!!!!!!!!!!!!!! 😥

Well since I’ll be offline for most of November and December I can tell you my plans for my writing. For the next few months I’ll be work shopping an idea I had for a sci-fi novel. Since I haven’t really worked with this genre before I think I’ll start by reading some classic sci-fi like Ender’s Game from the 70’s. Whenever I write something that’s genre specific I like to read things that are similar to my idea, and then also read things that are the polar opposite to my idea. That way I don’t pigeonhole myself as far as generating new ideas.

Planned reading:

Ender's Game by Orson Scott Card

Ender’s Game by Orson Scott Card

Ender’s Game by Orson Scott Card – I’m going to read this because this is apparently one of the best books concerning aliens and technology which are going to be big parts of my story. I read a bit of it and WOW, Card was writing about things very much like the internet and blogs in the 70’s.

 

The Complete Sherlock Holmes by Arthur Conan Doyle

The Complete Sherlock Holmes by Arthur Conan Doyle

The Complete Sherlock Holmes by Arthur Conan Doyle– I don’t think I’ll be able to finish all of the novels of short stories in 2 months’ time, but I’ve always been interested in Holmes. A lot of the deductive reasoning and science Doyle uses in his Holmes fiction laid the groundwork for advancements in forensic science. I am going to read this because I like the combination of mystery and science.

 

The Iliad by Homer

The Iliad by Homer

The Iliad by Homer (translated by Robert Fitzgerald) – I’m going to read this because I like the combination of the battle and adventure elements and the mythical religion of the ancient Greeks.

 

Pride and Prejudice by Jane Austen

Pride and Prejudice by Jane Austen

Pride and Prejudice by Jane Austen– The first three books I’ve listed are similar in their own ways to the story that I am trying to write. This book is the polar opposite of the story as I have envisioned it thus far so if I get stuck and none of the other books help me generate ideas, I’ll go to this one. You never know what can give you a new idea so don’t rule anything about.

 

Movies can also be a great way to get you in the writing mindset. Over the next few months here’s what I think I’ll be watching.

 

Planned Watching:

Inception - 2010

Inception – 2010

Inception: I’ll be watching this movie because the thematic elements I am hoping to put into my story are similar to the ones in this movie. Also my story is going to have a lot of neurological and psychological portions so I think the storyline of Inception might generate some ideas for those parts of my story.

 

Lord of the Rings: The Fellowship of the Ring 2001

Lord of the Rings: The Fellowship of the Ring 2001

Lord of the Rings: The Fellowship of the Ring– This was the first fantasy movie I ever saw that really made the otherworldly or mythical elements come to life in such a way that made them seem like they could have been real. Previous generations had things like Star Wars, mine had Lord of the Rings.

V for Vendetta- 2005

V for Vendetta- 2005

V for Vendetta– I am going to be watching this because I like the depiction they used of England as this sort of dystopian Hell. I think I might want to use the sort of post-apocalyptic/Orwellian feeling from the movie for inspiration.

After the Thin Man- 1936

After the Thin Man- 1936

After the Thin Man– As you might be able to tell, for both the movie and book section I’ve selected 3 that are similar to my story and 1 which is the polar opposite. This movie, a murder mystery rom/com, could not possibly be more different than the idea I am working on. Perhaps I will pick out something from the mystery aspect, perhaps the romantic. Who can say? That’s the point. You can never tell what will help you to generate ideas so try everything!

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Fear Exercise

Write a story that explains an irrational fear you or one of your characters had as a child. Was it an irrational fear monsters under the bed? Or was it something more real like a car accident? Why do you think the fear started? Did you ever get over it? How did you get over it? Imagine how your world might have shaped or influenced your fears, or the fears of your character.

So long for a while!!! Don’t worry readers I am right now trying to see if I can get access to a better and more reliable internet connection. In the mean time please feel free to comment with questions or feedback. I will most definitely see if I can manage to respond.

 

 

 

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Bad Language in Your Writing: Yes or No?

Oh Gosh Golly!!!!!

Oh Gosh Golly!!!!!

Too many writers today have decided that in order for their work to have an “edge” then all of their characters have to swear like sailors or teenage boys. I am not saying that everything that you write has to read like an episode of Leave it to Beaver, but if you are going to use profanity you must make sure the words have their own flow.

All words need rhythm, even "bad" ones

All words need rhythm, even “bad” ones

In order for profanity to seem natural it has to have a purpose besides making your writing seem more edgy or adult. It needs to begin and end with the characters. In my daily life I at least try not to swear like I’m in an R rated movie but if I do something like drop a hammer on my foot all bets are off. That being said, my characters are not me and have their own unique voices. Any time my characters uses swear words it is because it sounds like it’s something natural for the characters to say. While swear words do not have a “classy” vibe, they can have a rhythm. If you’re ever worried if the types of swear words sound like they have rhythm it’s a good idea to read your passages aloud. If you reading your work aloud can’t make what the character is saying sound natural, you might need to rework the line.

Self-Censorship

Self-Censorship

One thing you need to keep in mind, especially if you plan to be published, is who your intended audience might be. If you are trying to get a kids book published then you can look forward to a lot of rejections if ever other word out of your characters’ mouths is eff this or eff that. You need to tailor your work to your audience, or more specifically to the publisher. I’ve said this before but if you want to be published then it is a good idea for you to research the kinds of things that the publisher has come out with before. If they normally publish things that are so clean they read as if they had been dipped in bleach, then they most likely would not be the best bet to publish a book with gratuitous language.

STOP TALKING ABOUT THE MAN!!! LEARN TO CENSOR YOURSELF!!!!

Exercise of the Day

Exercise of the Day

Exercise of the Day: Describe a Christmas

For this exercise you’ll need to create a character who lives in a country that is not your own. Do they celebrate Christmas? If so, what do they do? If not, how do they view Christmas? This exercise gives you a chance to research the cultures of other countries and to think of how they celebrate and view the holiday season.

Thanks for reading!

 

 

 

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5 Essential Pieces of Equipment for Writers

We all know that in fact you don’t really need any special equipment to write except for your brain and perhaps a pen and paper, but there are things which can make writing easier.

Write like the Wind

Essential #1: A portable notepad and pens/pencils: Inspiration can strike at any time so it pays to keep some notepads handy at all times. A portable laptop can be helpful but is by no means essential. Of course, most writing in today’s world occurs with a computer but computers, no matter how portable they are, are always going to be somewhat less portable than the humble and low-tech notepad. Also you don’t need to buy an ornate or overly expensive journal. You can go down to your local drug store and buy a slew of pencils, pens and notepads for the same price as one expensive leather bound journal. You can buy a leather bound journal if you want, but it is not essential.

Finding the best word

Finding the best word

Essential #2: A Dictionary and Thesaurus: When you are a writer words are your life so it pays to keep words near you at all times. If you want to be sure your readers understand what you are trying to say it’s a fantastic idea to be sure you are using the best words possible, or that you are using them properly. Have you ever read a book where the writer used a lot of posh words but rarely used them correctly? It’s like Amy from Little Women. She was always trying to speak with really grown up words, but she usually got either the pronunciation or meaning wrong. Writing works the same way. A handy dictionary and thesaurus are the best tools to help with this. (Note: If you are using Microsoft Word and you want quick access to a thesaurus take the word you want to find a new version of, highlight it, and then press the shift and f7 keys at the same time. A window on the right-hand side of the screen should pop up giving you access to Word’s thesaurus.)

Technology for the win!!

Technology for the win!!

Essential #3: USB Drive(s) or a portable hard drive: Most writers know that in today’s world of technological advances that most writing is going to occur on a computer. Like I said before, cheap pens and notepads are a great and simple way to jot down ideas whenever they happen to pop into your head, but in most cases the finished product is going to be written on a computer. USB drives can hold a massive amount of data and these days are relatively inexpensive. I caught a sale and was able to purchase a 15 gig USB for under $10. Portable hard drives are more expensive than USBs but they are another great way to backup your digital data. There’s nothing worse than the feeling of utter abandonment you get when your computer crashes and you lose your work.

 

Essential #4: An expansive library: All writers begin first as readers so having a large library of books at your disposal is an essential tool for generating ideas. You don’t need to break the bank to do this either. One of the best ways to do this is to gain access to your local library. Many libraries are now allowing their patrons to check out Ebooks as well as paper books. All you need is one little card and you have access to as many books as your heart desires. I spent my entire college career working in my school’s library and my hometown one as well so libraries will always feel like home to me. I say again, always remember that all writers begin as readers.

Virginia Woolf ~  A Room of One's Own

Virginia Woolf ~ A Room of One’s Own

Essential #5: A space of your own: Virginia Woolf once wrote that since the 1800’s in order for a woman to feel the freedom to write she must have at least €200 to herself and her own room. If she had those two things she would not have to be afraid of whatever other people may think of her and she could write as she saw fit. The same type of thing is still true today and not just for the female writers. If you want to write it is key that you have your own space in which to do it. Maybe your space is just a desk in a dorm room, maybe it is an office in your house, but the important part it that the space is yours. For my own part I like to write either at my desk in my room or on my bed, and I usually have either music or a movie playing. All of those things added together equals a place where I feel comfortable enough to write whatever may pop into my head. Writing is hard enough, give yourself a break and give yourself a comfortable place to do it.

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Fortune Teller

Take a character from one of your favorite books and write a story that takes place before the events of the book where they meet a seer and get their fortune told. The fortune teller lets the character know what will happen to them at the end of their story. Imagine how the events of the original story would change if the character had known what would happen to them at the end. For example, how would Othello had been different if Cassio or Roderigo had known about Iago’s intended treachery from the start? Would Nils Bjurman from The Girl with the Dragon Tattoo have betrayed Lisbeth the way he had if he had known how that would turn out?

Have fun with this and I will talk to you later. Feel free to comment, I love feedback!!!

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