Know what really puts a damper on writing? FEVERS!!!!! GAHHHHHH!!!!! You might have noticed I’ve been a bit radio silent for the past few weeks and you can blame it all on a fever. For nearly a week I was trapped in my bedroom, waylaid by a 103 degree fever. When I first started feeling sick I thought to myself ‘ah well, a few days in bed will give me extra time to write’ but after the first few days had gone by and I wasn’t getting any better all writing plans went out the window. I tried to write through it, but honestly my head was such a muddled ocean of heat, medications and sweat that most of what I wrote made no sense whatsoever. I started out writing a nice little short story about a little girl but by the time the fever kicked into overdrive the little girl had become our first ninja president…not sure why but she did. So after that debacle I figured it was a better idea to give my brain a chance to get stronger before I tried to write anything. Well now that my brain has had ample chance to cool off I am back!
Trying to write with a fever? I don’t recommend it
While I was sick, as I mentioned before, I didn’t get much writing done but I did do a good deal of reading. I re-read one of my favorite book series, The Millennium Series by Steig Larsson. Though I’d read the books before a part of me wondered ‘why do I enjoy this series so much’? My taste in books is usually eclectic but I don’t usually read books that are quite as gritty and dark as this series was. After I thought about it I came to the conclusion that the thing that really drew me in was the level of tension. It was one of the first book series I had read where the plot tension actually got me breathing harder and made my heart feel like it was beating though my chest. Then I started wondering, ‘how does a writer go about creating emotional tension in their plots’?
NO NO NO NO NO!!!!!
Method #1- The Little Kid
Anyone who has spent any time around a small child knows that the moment they learn to say (or scream) the word “NO” it becomes one of their favorite words. If you’re babysitting a kid who’s going through the “no phase” it can make you want to pull out your own hair, but it can be an effective way to add emotional stress into your plot. The basic method is that whenever your character finds that they want something, in some way or other you tell them no. Say your character wants to go on a road trip, and then you as the writer tell them no by having that their car not start. Think about it, if your character always ends up getting their desires then it can get a bit dull. No real person ever gets what they want right when they need it so adding obstacles that stand between your character and their goals adds both to the tension and realism of your stories.
In Gothic novels the setting adds such a big level of the creep factor it becomes another character.
Method #2- Using Your Setting
Some writers remember to use their plot twists, dialogue, and characters to create emotional stress in their stories but they forget to give their settings that same consideration. If your setting is real enough it can act as another character. Think about it, the setting is the world in which your characters exist. If you want the characters’ lives to create a palpable level of tension then the setting is one of the greatest tools you can use. For example, in The Girl with the Dragon Tattoo most of the dramatic action is centered on a remote, rundown, and snowy island which feels detached from the rest of the real world. That sense of detachment, in combination with the danger the reader senses from the plot, makes the reader feel a sort of Gothic desolation. In traditionally Gothic novels such as Bram Stoker’s Dracula the dangerous, creepy, or otherworldly elements of the story almost always occur in a dilapidated, remote and, isolated environment. Your setting as the world of your story is one of the largest elements at your disposal and so it is one of your greatest tools for creating a sensation of emotional apprehension or tension in your story.
Figure out what each character wants and what they’d be willing to risk in order to get it.
Method #3- The Poker Game
In order to keep an eye on how much tension is in your story you need to figure out what is at stake for each of the characters. In order to do this it’s a good idea to imagine that all of them are playing poker. Figure out the main goal for each of the characters and decide how much they are willing to risk in order to obtain it. This trick really helps to decide the possible consequences for every character. Have you ever read a book and it had a character that didn’t really seem to gain or lose anything by their actions or even presence in the novel? It almost feels like one of those situations where two friends are having an argument and then a stranger who is not connected their argument tries to get in on it. If your character doesn’t have anything to gain or to lose from the events of the novel then the reader can wind up thinking ‘why are they even in this story’. By imaging each of your important and central characters are in a poker game it can really aid you in figuring out what’s on the line for each of them.
Alrighty well I hope these few tips helped you out, if you have any additional pointers feel free to comment below and I will see you next time.
Exercise of the Day
Writing Exercise of the Day: Physical Emotion
For this exercise I want you to imagine one of your characters is having emotional response, positive or negative, to some even but do not name the emotion. Instead I want you to describe the emotion by only using the physical impact that it has on the character. How does their breathing or pulse change? Do they start sweating? Write a bit and then re-read what you have. Is the emotion made clear?
Have fun with this and I will talk to you later!! Feel free to comment below with feedback, complaints, questions, or anything else that might pop into your head. Bye!!!