Monthly Archives: August 2013

Movie Adaptations of Books: The Good, the Bad, and the Ugly

Through Hollywood’s history there’ve been a great many movie versions of books which have seemed like perfect companions to their literary counterparts. However, for every good movie there have been at least three movies that make the fans of the novel want to hurt someone. We’ve all had that moment when we remember how good the book was and then we get all excited (and in some cases horrified) when we hear there’s going to be a movie. We buy our tickets and watch the movie hoping for something fantastic and in the end when the credits roll all we want to do is scream and throw popcorn. Well fasten your seatbelts movie fans, here’s my least favorite versions. (I know I posted this a while ago but I just re-read/re-watched a few movies and thought of some new additions to my list)

 

Romeo + JulietRomeo + Juliette (1996 adapted from the William Shakespeare play) ~ There have been thousands of adaptations of Shakespeare throughout the years so how can you really mess that up? How bout by setting it in what looks like modern Los Angeles and by having the Montague/Capulet struggle look like gang rivalry? That’s the ticket! Look, maybe it would have worked out if they had done the time shift with the gang war but had changed the language to suit the time they’d set the story in. Much of the costuming, particularly for the males, seemed to look as if it had been designed for RuPaul’s Drag Race. That plus the addition of actors like John Leguizamo makes this version seem more like a comedy then a tragedy. The writers wanted to make their version different from all the others so it would stand out but they strayed so far from the feel of the source material and to me it felt like a weird joke. Tip for writers: You have some creative and interpretive powers as the writer but when you go too far it will not feel natural.

 

Scarlett LetterThe Scarlett Letter (1995 adapted from Nathaniel Hawthorn’s novel of the same name) ~ Ok, well if you’ve never read the book I’ll just give a bit of a recap: this book is about a woman accused of adultery with the town’s reverend. That said I doubt they were quite as kinky as Demi Moore and Gary Oldman made them seem. Hollywood went a bit too far with this one. In a lot of movie versions of books the love scenes are drawn out to boost ticket sales but this movie takes a few too many liberties. Not only were numerous love scenes added, but the ending was morphed in a way that almost makes it seem as if the screenwriters said “sure it’s nothing like it was in the book, but the audience gets a happy ending and that just makes them feel so good”. Happy endings are fun, but not like this. I’m not saying that if you’re writing an adaptation of something that you can’t rework things a bit to make them work within your movie, but be smart about it. Tip for writers: If you are going to change major things from the original text make sure  you’re not destroying the whole thematic motif  of the text just doing it to make things “edgier”.

A pretty good movie, but a bad adaptation

A pretty good movie, but a bad adaptation

Bram Stoker’s Dracula (1992) ~ This adaptation suffers from many things but for me it fails because of Keanue Reeves’ trying to do an English accent as Johnathan Harker, overdone violence, and for those of you who know the film you will recall the graveyard scene…WHY?!!! JUST WHY?!!! The writers/director of the film took particular elements of the novel and manipulated them so that they could distort as much lewdness and eroticism from them that they could. The film itself was a box-office success simply because the cinematography was very well done. For my part it is an alright movie when it is considered by itself, but it falls well short of the mark as an adaptation. Tip for writers: While I understand that certain novels have erotic elements you need to be sure that if you’re writing an adaptation you’re not focusing only on one plot point because then you end up sacrificing all of the others. In Dracula there were a lot of plot elements which concerned Victorian Religion but the film did not use them at all because they were focused on the sex. Oh and also if you’re writing a period piece DO NOT CAST KEANUE REEVES.

Alright enough of my complaining! Now not all adaptations are bad,  here are a few movie adaptations of books which I really think act as models of what writers of screen adaptations should strive for.

Sense and SensibilitySense and Sensibility (1995 adapted from Jane Austen’s novel of the same name) ~ There have been thousands of adaptations of Jane Austen’s works, but none captured the story so well as Ang Lee’s 1995 film. Emma Thompson took on the roles of both screenwriter and actress in this film and ended up winning a Golden Globe for her writing. Kate Winslet was perfectly cast to portray the young and overly romantic Marianne to Emma Thompson’s sensible and even Eleanor. The dialogue was so perfectly handled that even certain scenes which never appeared in the book seemed as if they had been there all along. Tip for writers: if you want your adaptation to be well received, then you have to make any of the changes you’ve created so natural that they feel like they could have been in the book from the beginning.

 

Fight ClubFight Club (1999 adapted from Chuck Palahniuk’s novel of the same name) ~ This movie with its sleek dialogue takes the Postmodern words of Chuck Palahniuk and translates them in a way that is both thematic and understandable. I actually had to read Fight Club for a lit class in college. I hadn’t seen the movie, and after reading the book I was nervous. I wondered how any screenwriter and director could take that book and translate it into a movie so that it wouldn’t lose its thematic integrity. After having watched the movie I can say that there was no reason for me to have been nervous. The writers and director of this movie were like magicians!! They made something which I thought would only be good as a book into a fabulous movie. Tip for writers: Use everything at your disposal (music, cinematography, dialogue) in order to capture the feeling of the novel or whatever you are adapting. That way when your audience is watching the movie they can feel the same types of things they had when they read the book.

Understatement is the mother of creepiness!! LOL!!!

Understatement is the mother of creepiness!! LOL!!!

The Haunting (1963 adapted from Shirley Jackson’s The Haunting of Hill House) ~ The concept of the haunted house has existed in various forms for years. One of its best versions was in Shirley Jackson’s 1959 novel The Haunting of Hill House. Stephen King rates the novel as one of the best examples of the haunted house genre in literature and actually cited the novel as one of the greatest pieces of horror fiction of the mid to late 20th century. The 1963 film version of this novel, while only moderately successful at the box office, has become a cult classic and is considered by many to be one of the greatest horror movies of all time. The writers of this film changed a lot from the novel but everything they changed had a distinct purpose for the plot of the film. It did not feel like they had increased the shock value and add in tons of gore and gratuitous violence. One of the reasons the book was so scary was that it left a lot of things unsaid, giving the readers’ imaginations a chance to run amok wondering what or who is haunting Hill House. That same feeling was kept in Robert Wise’s film because 99% of the horror elements occur off-screen and the audience and characters both can only hear what is happening. The writers and director’s of their film also did something almost unheard of today, they kept the writer in the loop. They questioned Shirley Jackson about her intentions regarding certain scenes and also the characters and then got her views on some of their plot ideas. Tip for writers: If you’re writing an adaptation then you must  walk the line and pay respect to the original novel and its creator while at the same time exploring with your own ideas. Oh and also if your writing a horror movie/novel LESS IS MORE!!! More gore and violence might get you an R rating and perhaps some publicity, but with this genre of books and movies more opportunity you give your viewers/readers imagination’s run wild the freakier it will be!!!  

What movie adaptations of books do you love/hate? What about the movie made that impression on you? Feel free to comment!!!

Exercise of the Day

Exercise of the Day

Exercise of the Day: A Conversation with your Characters

Choose a character from a story you have written or are in the process of writing, then write a scene or multiple scenes in which that character interacts with you, the author. Write with the assumption that the character understands that you, as the author, “created” him or her and are responsible for the things that happened to them in the course of the story. Does the character agree with what you have them doing? What does the character think of the story? Write an exchange of dialogue (it doesn’t matter if it’s in play/novel format) between yourself as the author and your character.

Talk to you later folks! Please don’t be afraid to comment, I love feedback!!!

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BAD Advice for Beginning Writers and How to Avoid It

Though some can make it seem like they can sit down and in one afternoon POOF, they’ve written a novel, the actual act of writing is a challenging task. When you first start out it’s natural to look to people who’ve been writing a while for advice, but sometimes the “helpful” advice you get is the thing that’s holding you back. If you’re just getting into writing you might hear one or two of these little pearls of so called wisdom, please take them with a grain of salt!

Bad Advice 1: Eliminate ALL clichés

Fiddle-Dee-Dee!!

Fiddle-Dee-Dee!!

Look unless your characters are beat poets from outer space, chances are they are going to say at least a few adages, sayings and other forms of cliché the thing is not to have so many of them in the dialogue that the character sounds fake. A few well-placed clichés gives the audience a bit of something familiar to relate to. They could read it and think ‘I know a lot of people who talk like that all the time’ which gives the characters an added dimension of reality. That is not to say your characters can’t say random words or have a few catchphrases which are outside of the world of the clichéd. For example Scarlett O’Hara’s “fiddle-dee-dee” was not a common phrase during the civil war but Mitchell made it work because it sounded like something which was natural for the character to say. That’s the key, when you want to explore with dialogue the words have to fit the characters.

Bad Advice 2: Put ALL protagonist’s thoughts in italics

Italics
I actually heard this a few times from some established writers when I first started out but I’ve found out that it really depends on the publisher. Unless the publisher says that the protagonist’s thoughts should be in italics don’t worry about it. For me I place any bits of “inner monologue” from my protagonist in single quotation marks like this: ‘I never thought something like this could happen’. It is NOT a cardinal rule of writing that your main characters thoughts HAVE to be in italics, that is a formatting issue and is really something you’d need to talk over with the publisher.

Bad Advice 3: Use as much detail and descriptive language as possible

Leave something to the imagination!!

Leave something to the imagination!!

Details are sort of like cats. Having a few of them is nice, but having 50 of them is kind of crazy. That isn’t to say your work can’t be detailed, but the trick is to not have so many details that your reader feels smothered by them. Descriptions work the same way, if you have tons of overly descriptive language the reader can easily get bored. A lot of writers get lost in this when the first start out. They remember that writers are supposed to “show not tell” their stories and they go overboard and start giving even things which are not really important to their stories long and overly detailed descriptions. The key is to describe what you need to, but leave some room for the reader’s imaginations to fill in the blanks.

In general, if you find writing advice that says the words ALWAYS or NEVER, take it with a grain of salt. The real trick is just to write and find your own system. You won’t find a handbook with the 101 laws for how NOT to write so just relax, find the story you want to tell and find the system works best for you. What is some of the worst writing advice you’ve ever gotten? Comment below!!! Thanks for reading!

Exercise of the Day

Exercise of the Day

Exercise of the Day: The Life and Times of a Dollar Bill

For today I want you to write something from the perspective of a dollar bill as it gets passed from person to person. Tell the story of the bill fromt he day it leaves the press at the mint until the present. What does it think about the world? What does it think about the people who have had it? Have fun with this and I’ll talk to you later!!

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